Collaborating Between Autodesk Visual Effects and Finishing Applications & Autodesk Lustre
This workflow paper offers solutions to solve finishing and color grading workflow issues. Three workflows are covered: timeline grading, commercial grading, and RED® import.
From the RED ONE Camera to Autodesk Visual Effects and Finishing Systems
This paper provides a step-by-step guide to moving RED camera footage through Autodesk visual effects and finishing software.
P2 and XDCAM MXF Media Handling
Learn how tapeless workflows for importing Panasonic® P2 or XCDCAM MXF media files are supported by Autodesk visual effects and finishing products.
An Introduction to Real-Time Deliverables
This workflow paper describes high-level use cases and workflows for using the Real-Time Deliverables feature to output clips in real time with Autodesk visual effects and finishing products.
The Business and Technology of Stereoscopic Filmmaking
This white paper examines the current state of the stereoscopic filmmaking industry, the business case of stereoscopic 3D (S3D), as well as the technical and creative considerations faced by those looking to make compelling stereoscopic movies. It also provides background information on stereopsis and perception to strengthen your understanding of the science underlying stereosocopy.
Digital Intermediates
How the digital intermediate process is offering filmmakers powerful new creative opportunities, especially in the area of color grading. This paper focuses on the digital post-production of film, and in particular digital intermediates, with particular emphasis on the color-grading / color-correction process.
Concurrent Workflows for HD Television Grading
Software-based color-grading applications integrated with concurrent HD finishing workflows offer the potential of highly differentiated creative looks and greater facility productivity.
