| | Videos | Brickyard VFX Learn how this Boston-based commercial facility uses Autodesk® Flare™, creative companion to Autodesk® Flame® visual effects software, to change their creative workflow and develop the next generation of compositing talent. | | Bond Edit This New York based commercial boutique scales their finishing and visual effects capacities cost effectively using Autodesk® Flare™, creative companion to Autodesk® Flame® visual effects software. | | The Jim Henson Company Watch how the legendary puppetry studio, The Jim Henson Company, uses Autodesk® Maya® in a real-time television production setup. View Video: Long / Short | | Dreamsfactory This Virginia-based boutique facility sets themselves apart in their market by offering a production through to post production pipeline which includes Autodesk® 3ds Max®, Autodesk® Flame®, Autodesk® Smoke®, and Autodesk® Lustre®. View Video: Long | Short | | Lucasfilm Ltd. Autodesk® Maya® serves as the animation platform for Lucasfilm Animation to create Star Wars: The Clone Wars feature film and TV series. View Video: Long | Short | | Viasat Viasat is a TV broadcaster and distributer for approximately 40 channels in Nordic, Baltic, Eastern and Central European countries. Viasat uses Autodesk® Smoke® and Autodesk® Flint® for promos, commercials, image campaigns and branding for their channels. View Video: Long | Short | Mikros Image Paris-based Mikros Image uses Autodesk® Flame®, Autodesk® Lustre®, Autodesk® Maya® and Autodesk® Smoke® to create dramatic visual effects in commercials, music videos and feature films. View Video: Long | Short | | Sway Studio Sway Studio uses Autodesk® 3ds Max® software and the Autodesk® Flame® system to create photorealistic imagery for a variety of projects, especially car simulations for car commercials. View Video: Long | Short | | Method Method Studios uses Autodesk® Maya® software and the Autodesk® Flame® system to design imagery that’s never been done before, under the impossibly tight deadlines of commercials post. View Video: Long | Short | | Eyeball NYC Flexibility and ease-of-use are just a couple of the reasons this NYC studio uses 3ds Max to achieve their stunning commercial and broadcast work. View Video: Long | Short | | Hydraulx This small, agile visual effects facility uses Autodesk® Maya® software and the Autodesk® Inferno® system for their 3D work in commercials, music videos and feature films, including: The Day After Tomorrow, Fantasic Four, and more. View Video: Long | Short | | Absolute Post Having started with two Autodesk® Flame® systems, Absolute Post is now considering buying its fifth after just two years of business. Absolute Post believes in using the latest software and hardware, and recently opted for Flame on Linux. Possessing a unique value proposition—offering clients a 2D/3D work package—Absolute Post is able to produce some outstanding work very efficiently. View Video: Long | Short | | RIOT Santa Monica, CA-based RIOT work on an impressive portfolio of episodics, using Autodesk® Discreet® Fire® and Discreet® Smoke® systems to put together shows such as Deadwood, Sopranos, Las Vegas, Bones, Entourage, and Prison Break. RIOT explain their tools of choice used to make these shows. View Video: Long | Short | | KBPS KBPS San Diego used their premier production equipment—namely, Discreet Flame and Discreet Smoke systems to create a large number of long-form HD documentaries, underwriters’ spots, and community outreach. View Video: Long | Short | | Resolution Creative Resolution Creative are based in London, UK. They create graphics, visual effects and high-end finishing on a number of different projects, using Flint and Smoke. One of their aims is to make ‘great TV happen easily’. View Video: Long | Short | | The WB11 See why New York based 'The WB11' adopted Smoke as their reliable non-linear, solution. Smoke enables 'The WB11' to create a variety of results for broadcast with as little as 12 minutes to air! View Video: Long | Short | | Money Shots Autodesk Burn keeps rendering time from burning through cash Read Full Story | | |
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