India-based Big Animation brings the Little Krishna series to TV with Autodesk® Maya, Autodesk® Flame®, and Autodesk® Smoke® animation and visual effects software.
New Zealand-based production company Curious Film uses Autodesk® Flame® visual effects software to push the creative limits of advertising, including projects shot on RED camera.
This German post-production studio uses Autodesk® Flint® and Autodesk® Softimage® visual effects software to create the elegant BMW campaign “Milestones.”
The Emmy Award-winning production company Shilo uses Autodesk® Maya® software to create an artful MTV video that inspires compassion for the people of Burma.
PostWorks’ LA team digitally mastered 43 episodes of “In Treatment,” a new HBO show starring Gabriel Byrne, in record time. Their workflow featured Autodesk® Smoke® and Autodesk® Lustre®.
Eighteen hours a day, seven days a week, British Sky Broadcasting (BSkyB) is using Autodesk software to help light up the United Kingdom’s TV airwaves.
“Star Trek” creator Gene Roddenberry could never have imagined that just 40 years later, innovative technology from Autodesk would play such a significant role in the restoration and remastering of his beloved science fiction television series.
Santa-Monica based Sight Entertainment uses Autodesk® Smoke® for editing and visual effects in its commercial work to create a “one-stop post-production boutique.”
Visual effects artist Michael Illingworth, who has worked on Gladiator and all five Harry Potter films, goes out on his own with Vine Post Production in London, built on the Autodesk® Flame® visual effects system.
VFX artist Victor Wolansky brings the power of the Autodesk® Flame® system to E3 Post, the award-winning post-production boutique in Alexandria, Virginia.
While the company name refers to the halfcentury- old network’s location on the Australian television dial, it might just as well refer to the number of days and nights per week their Autodesk® Smoke® systems are running full-tilt.
As a leading, award-winning visual effects and design company, A52 is seeing rapidly increasing demand for editing and mastering of HDTV spots from their commercial clients.
Deep Blue Sea has switched from an SGI® IRIX®-based Autodesk® Flame® system to a Linux®-based Flame system to gain a greater competitive advantage in an increasingly multi-standard post environment.
In keeping with its name, ACE leads the pack in post-production circles in Belgium. Together with its audio and 3D sister companies, A-sound and Victor 3D, ACE has been performing its digital tricks since 1989 in highprofile commercials, TV series, trailers, and feature movies.
As a leading visual effects and broadcast design facility in London, Resolution Creative recognized that to prepare for the growing demand for HD post production, they needed to migrate to a powerful, fast, versatile platform capable of supporting HD.
