ILM used Autodesk technology to create thousands of visual effects for the hottest films of the summer—Star Trek, Transformers: Revenge of the Fallen, Terminator Salvation, and Harry Potter and the Half-Blood Prince.
Monsters vs. Aliens is the first DreamWorks film to be completely authored and produced in stereoscopic 3D. Artists used Autodesk® Maya® and Autodesk® Lustre® software to achieve the stunning final result.
Autodesk technology was used to shape Oscar-winning and Academy Award nominated films in several categories, including best visual effects and best animated film.
Autodesk film solutions, including Autodesk® Maya®, Autodesk® Flame®, and Autodesk® Lustre® software, helped to create Roadside Romeo, India's first 3D animated feature film.
Animation artists used Autodesk Maya, Autodesk 3ds Max, and Autodesk Lustre to create models and color grading for the dramatic Taiwanese blockbuster film Cape No. 7.
Filmmakers use Autodesk’s animation, visual effects, and color grading software tools to shape a wide range of entertainment in this year’s holiday blockbuster movies.
Industrial Light & Magic used Autodesk® Inferno® and Autodesk® Maya® software in Steven Spielberg’s Indiana Jones and the Kingdom of the Crystal Skull.
With Autodesk® Maya®, the imaginative animators behind Shrek and Madagascar are developing a stereoscopic pipeline for their newest creation, Monsters vs. Aliens.
This German post-production facility used Autodesk® Lustre®, Autodesk® Smoke®, and Autodesk® Flame® on the Academy Award®-nominated film, Waltz with Bashir.
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Sony Pictures Imageworks uses Autodesk® Maya®, Autodesk® MotionBuilder®, and an on-site team from Autodesk Consulting to help Beowulf battle believably in 3D.
Sony Pictures Imageworks’ animated Surf’s Up not only captures the look of the penguins, but also tackles more animated water, with characters moving through, over, and under the surface, than any other movie—with help from Autodesk® Maya®.
When bringing the great King Kong back onto the silver screen, the filmmakers wanted to make sure viewers experienced a visceral, emotional connection to the great beast and the time period in which the film takes place.
A Quebec-based post production house, uses Autodesk® Maya® and Autodesk® Toxik™ software products as part of their pipeline for the effects and compositing work they did on the film Silent Hill.
To achieve such artistic freedom, The Orphanage, a leading visual effects, production, and technology company based in San Francisco and Los Angeles, has integrated Autodesk® Maya® software and Autodesk® 3ds Max® software into every stage of its pipeline, from modeling to rigging to animation to rendering.
Autodesk checked in with London-based visual effects studio Double Negative to find out more about their stunning work on the highly anticipated film The Da Vinci Code. Find out how they used Autodesk Maya.
Digital artists realize their ideas for Charlie and the Chocolate Factory, Cinderella Man, Bewitched, and other summer blockbusters with Autodesk technology.
Filmmakers rely on the power and flexibility of 3ds Max software to create Steamboy, the epic new film from renowned Japanese writer/director Katsuhiro Otomo.
The Industrial Light & Magic team uses Autodesk® Flame®, Autodesk® Maya®, and Autodesk® Inferno® visual effects software to bring Star Trek to a new generation.
This Mumbai-based post facility used Autodesk® Flame® video editing and compositing software to create the visual effects in Bollywood’s first 4K film.
Autodesk Media & Entertainment products have helped digital artists create some of this season’s blockbuster films. Post-production facilities relied on Autodesk® solutions for visual effects creation, editing and finishing, color grading and 3D animation.
In keeping with its name, ACE leads the pack in post-production circles in Belgium. Together with its audio and 3D sister companies, A-sound and Victor 3D, ACE has been performing its digital tricks since 1989 in highprofile commercials, TV series, trailers, and feature movies.
